- Home
- Fern Britton
New Beginnings Page 2
New Beginnings Read online
Page 2
Christie nodded and swallowed. ‘Hmm. If you say so . . .’
‘Every guest presenter feels nervous their first time on live TV. I’d be worried if you weren’t. But once you’re out there, the time’ll whizz by. Try to enjoy it. You’ll soon be an old hand.’
‘I hope so.’ And she truly did. However nerve-racking the experience so far, she was feeling an excitement that she hadn’t known in years. Last week’s phone call from the show’s producer had come at exactly the right moment. She had read and loved the one-off piece Christie had written about Nick’s death, her enforced single motherhood and subsequent move to the country.
After two years, Christie had at last found she was able to look back and understand that she should celebrate the time she had been given with Nick. As the children grew older, she was even beginning to enjoy being single again as she gained a new perspective on her life. When she had said as much to her editor at a drinks party, he had immediately reacted: ‘I’ve never heard you talk like that. You must write about it for me.’ So she had. She had poured her emotions into the piece, excited to be exploring something so close to her heart, such a welcome change from the usual consumer-based features that had become her stock-in-trade. When her editor had criticised it as ‘too cerebral for our market’, and asked, ‘Where’s the sex?’ she had almost despaired.
To be asked to come on Tart Talk to talk intelligently about women surviving the loss of the love of their lives was a huge compliment. But today she was feeling rather differently. She had been up since five thirty, unable to sleep, not even in the back of the sleek Mercedes sent to take her to the TV7 building, home of Tart Talk, as it crawled through traffic held up by roadworks on the Euston Road. Sitting on the uncomfortable leather sofa in her dressing room, leafing through the pile of the day’s papers as she waited to be called to Makeup, there had been plenty more time for the nerves to kick in. She had been thankful when a runner finally took her along to the green room to meet the three regular presenters.
She had immediately sensed the great rapport that existed between Marina, Sharon and Grace: Grace Benjamin – the thin, gap-toothed black comedian with a big laugh, whose bisexuality was often the butt of her own jokes. Their camaraderie meant they had welcomed her without reserve, offering her coffee before they went through with the producer the subjects they might be going to cover on today’s show. How much would Christie be able to contribute to a discussion about middle-age binge drinking and subsequent one-night stands? Staying up late to watch Newsnight just in case had been a complete waste of time. She’d have to wing it and focus her efforts on the reason she was there.
Just before they were due to go on, a fourth woman had sashayed in, finishing a conversation on her BlackBerry. Tall and well-padded but dressed in a stylish tailored cream suit, not a hair out of its coiffured place, she sat down beside Marina. ‘Hello, darling,’ she breathed. ‘I was in the studios so thought I’d pop down and see how you were.’ Her energy and presence immediately refocused the room so all eyes were on her. Christie was wondering where she’d seen her before when Marina introduced her.
‘Julia, you must meet Christie Lynch. Remember she used to be on MarketForce? She’s going to be talking about bereavement on the show today. Christie, this is my very special agent, Julia Keen.’
Christie immediately knew who she was. Julia Keen was one of the talent agents in London, a name known to most magazine readers, loved and feared in equal measure by those in the business. She had made her reputation by poaching high-earning clients from other agents, often appearing with them at all the most prestigious showbiz events. Christie had read one or two profiles about her in the press. About a year ago Julia had been the subject of much media interest when one of her clients, the TV presenter Ben Chapman, had drowned in her indoor swimming-pool: coroner’s verdict, misadventure. But the press had been free and frequent with speculation about their relationship and the real reason for Ben having been there without his girlfriend, as well as about what had really happened. He had been the co-host of Good Evening Britain, a news/magazine show that had actors, writers and MPs queuing up to appear. Newsnight meets The One Show, it had the six to seven p.m. slot on TV7 five nights a week. When Ben died, his on-air partner, Gilly Lancaster, had made a tribute to him so moving that it was printed on every red-top front page the following day. His long-term partner, Laura, was devastated at losing him, while Julia had absented herself from the red carpets and all that went with them. Success breeds success but scandal can be a dangerous enemy.
Christie remembered the photos splashed in the press of Ben, Laura and Julia, as well as of an indoor pool that had come straight from a scene out of Footballers’ Wives: colonnaded french windows leading back into the house, white loungers, tropical ferns in large ceramic pots. Julia clearly knew how to enjoy the fruits of her success. Smiling, Christie offered her hand – to find it gripped firmly, as Julia’s clear blue eyes assessed her in an unnerving and not altogether pleasant way.
‘A pleasure to meet you,’ Julia said. ‘I’ve read your Daily News column. Good luck today.’ She gave her another look of appraisal.
‘Thanks.’ Christie, feeling a little uncomfortable, was relieved when, at that moment, the green room door opened and they were called to the studio.
As she stood in the dark, behind the set, she could hear the large audience of students and pensioners filing in. Who else had time to go to a daytime show? Bussed in for the occasion, they found their seats and the buzz subsided as the warm-up man welcomed them. Christie strained to hear what he was saying.
Then someone else caught her attention.
‘Christie, my darling. Hi. I’m Tim, the floor manager.’ A young casually dressed man wearing headphones was at her side. ‘Welcome. Nice to have you. In two minutes, watch Marina and just follow her onto the set and take the second stool on the left, behind the desk. OK, love? Good luck.’ He patted her shoulder in encouragement.
Oh, God, Marina was walking onto the set. They want to like me, Christie repeated to herself, and followed, as confidently as she could, to the sound of applause. Why did I say yes to this? She could feel the heat of the lights on her face and a prickle of perspiration on her back as she went out into the bright lights. She hitched herself onto the stool, which was high enough to make the women sit up straight or fall off, and wondered what to do with her heels: let them hang or tuck them in? She tucked them in and pulled down the sides of her skirt.
‘Look as if you’re enjoying yourself,’ whispered Grace. ’They won’t eat you.’
Switching on a smile as the warm-up guy introduced the team, Christie looked up and out towards the audience where her eyes fell on Mel in the second row, resplendent in a to-be-noticed-by-my-sister neon pink scarf, grinning like a maniac and giving her the thumbs-up. If only Nick could have been there with her. He would have been so proud. She twisted her wedding ring round her finger, then swiftly reminded herself that she had to stop thinking like that. This was her life now.
‘OK. Fifteen seconds, studio. Quiet, please,’ shouted Tim. He continued the countdown to zero, then the show’s title music struck up.
As the cameras began to roll, they were all laughing. It was up to the four of them now. Christie heard a disembodied voice introducing Marina, Grace, Sharon, and then: ‘. . . and please welcome Christie Lynch, the merry widow, to ask her: is there dating after death?’
Oh, God! No! Why had no one briefed her that they weren’t going to be taking the sensitive, dignified approach she had imagined? Because they realised she’d have shied away? Of course. She should have known better than to trust them not to trivialise the subject, but it was too late now. In front of the audience and her co-presenters, she had no choice but to keep smiling and try to think of something to say. Come on, Nick. Give me strength.
Chapter 3
Before she knew where she was, the show was over. Mel had kissed her, said how brilliant she had been and disappeared off for a s
hoot with John Swannell, her favourite fashion photographer. Christie had climbed down from her stool and was taken to the green room, where she found all her belongings had been brought from the dressing room.
The entire programme team was there, enjoying sandwiches and a glass of wine. While Marina was sharing a joke with Sharon, Julia Keen discreetly engineered a conversation alone with Christie, lowering her voice almost to a whisper, as she said, ‘You were good, darling. Much better than I expected. Now, do you have a good agent?’
Taken aback by Julia’s directness as well as the apparent need for discretion, Christie, suddenly self-conscious, muttered, ‘No. I’ve never really needed one.’
Julia’s eyes seemed to light up from within. ‘I think things are about to change for you. Perhaps we should have a little talk some time. Take my card.’ She extracted one from a small silver holder and slipped it into Christie’s hand. ‘Just call me,’ she said, giving Christie’s arm a little squeeze just above the elbow. Then she turned to join the other women and, within moments, was laughing as if she’d been with them for the length of the joke.
Christie stared at her, watching how she stayed for just as long as was necessary before making her excuses. She realised this was her cue to leave too. She said her goodbyes, receiving polite and not unenthusiastic thanks from the producer. She left the building carrying a hand-tied bunch of Heavenly Scent flowers, a Diptyque candle and a card from the regular presenters thanking her. She had pretended not to see the producer hurriedly signing on their behalf when she’d thought no one was looking. The card that Julia Keen had given her was burning a hole in her pocket.
*
Not until Christie sank into the grey-leather back seat of her chauffeur-driven Mercedes and she was watching the black ribbon of the M40 disappear beneath them, did she stop to take stock. Only then did she realise that she had no idea what she’d said at any time over the past hour or so, or if any of it had made sense. Her brief conversation with Julia had taken on the quality of a dream. She dismissed it as an aberration. The woman had only said what she felt she had to. Hadn’t she?
The driver had been asked to drop her off at her mother’s where she’d left her car. There was just time to drop in before she went home to meet the children when they got back from school. The door chimes pealed, and through the dimpled glass, she saw the distorted silhouette of her most ferocious critic coming towards her. The door opened to reveal Maureen, slim, her streaked blonde bob as aspirationally gamine as ever, beady eyes darting this way and that, thin mouth stretched into a smile, a hand on the string of pearls that crowned her heather twinset.
‘Christine! We all watched you, darling. You were surprisingly good, although I wasn’t sure about your lipstick.’ She held the door so Christie could just squeeze through. ‘And the dress. A bit revealing but the colour wasn’t bad.’ She led the way into the sitting room where the only one of the ‘all’ who was left was Ted Brooks, Maureen’s ‘gentleman friend’, whose right hand enveloped a sherry glass. Not the first of the day, if the colour of his cheeks was anything to judge by.
‘Ah, Christie.’ He glowed. ‘Marvellous show.’
‘Thanks, Ted. I was very nervous.’ She waited, not wanting to have to prompt either of them to congratulate her on her contribution.
‘I say, that Sharon is an attractive woman.’ His watery blue eyes misted over, presumably in memory of that spectacular cleavage.
Maureen briskly changed the subject. ‘I didn’t expect you to know so much about alcohol or men, or to broadcast the fact to the entire nation. Are you looking for a new father for the children? It would have been nice if you’d at least told me first.’
‘Oh, Mum, you know I’m not. That was just what they wanted me to talk about so I went along with it. But, anyway, why shouldn’t I if the right person came along?’ She ignored her mother’s raised eyebrow.
‘I’m not sure I liked everything else you talked about.’ Maureen was lemon-lipped as she sat down, smoothing flat her tight catalogue yoga pants as she did so. ‘Flatulence!’ She could hardly say the word.
Ted laughed. ‘Nothing wrong with the occasional farty wallah, Maureen.’
Maureen, pink, continued, ‘Or S-E-X.’
‘Nothing wrong with that either.’
‘Ted, I think that’s enough. It’s only half past three.’ Then she turned back to Christie. ‘Alice and Joan left as soon as it had ended. I didn’t really know what to say to them.’
‘But did you think I was all right?’ Christie could wait no longer, dying to hear that she had been, that her mother was proud of her. As the distance between her and the Tart Talk studio had grown, she had begun to piece together snippets of the show, remembering that, as the audience listened to her and laughed with her, her confidence had grown until she had become as opinionated and outspoken as the others. Being in front of a live audience was a quite different experience from recording her prepared or OB pieces for MarketForce. What was more, she had loved the whole experience of throwing round opinions with like-minded women and, for the first time in a long time, being herself. Not just mum, daughter, sister, widow.
‘Well, yes. But you could do so much better.’
‘For God’s sake, Mum!’ Christie experienced an overwhelming urge to smash one of her mother’s precious collection of Lladro figurines into the immaculate tiled fireplace piled with artificial coal. ‘What’s happened to you? You’ve got so narrow-minded. These are the sort of subjects that should be talked about openly. Mourning, dating, farting and drinking.’
Maureen visibly recoiled.
‘Weird mix, I grant you. But we all do them.’
‘I’m not sure everyone in the village would agree with you, dear.’
‘Of course they wouldn’t. They’re stuck in the dark ages.’
‘Will you be on again?’ Ted asked, his eyes slightly unfocused as he lay back in the neat chintz-upholstered sofa that, like him, had seen better days.
‘Oh, Ted! I think Christine’s destined for higher things, don’t you?’
‘You’re impossible, Mum. I came round hoping you’d have enjoyed the show – or that at least you’d say you had. And I’ve no idea whether I’ll be asked on again. Probably not, if they felt the same about my lipstick as you did!’ Christie stood up and crossed the room, dodging the occasional tables with their coasters and empty teacups, the only reminders of the disapproving audience of Alice and Joan.
‘Now, Christine. Please don’t show off in front of Ted.’ Maureen’s reprimand turned to alarm as she realised Christie was making for the door. ‘Where are you going? Have you had anything to eat?’
Her mother always grabbed any opportunity to press food on her visitors. That was her raison d’être, and didn’t Ted know it, Christie thought, glancing at the checked waistcoat that pulled across his rotund stomach – currently filled with Maureen’s ‘tiffin’, as former ex-pat Ted liked to call it – then feeling ashamed of her lack of charity. They made each other happy in their own way and that was what mattered.
‘Home. And I’m not hungry, thanks. I’ve got to get there before Fred and Libby get back from school. I’ll let myself out. ’Bye.’
As she climbed into her car, Christie was fuming. However hard she tried to please Maureen, she never quite managed to reach the high standards expected of her, the elder child. But a word or two of encouragement wasn’t asking much, was it? That was something her father had never failed to give either her or Mel. Maureen had always been harder to please. She must realise that being asked to appear on Tart Talk was a positive step forward from writing for the Daily News, a paper with a dwindling circulation and a new slash-and-burn editor. But Maureen’s horizons had been limited by living in the sticks. Christie shuddered as she foresaw the same thing happening to her. Like mother, like daughter? Not if she could help it. She retuned the car radio to Radio 1.
As she turned into her driveway, singing loudly to the Kaiser Chiefs’ ‘Ruby’ she stoppe
d the car and looked at her home: a proper double-fronted house, its bricks a warm red in the spring sunshine, its windows glinting, especially the large ox-eye above the front door that let light flood onto the landing upstairs. She remembered the day they’d arrived, when she had felt so angry with Nick for not being alive to help her with the move, the fuse boxes, the over-excited children and the bloody DVD player. That night, after Libby and Fred had gone to bed, she had opened a bottle of wine, poured the first glass and sobbed. The next day, she had woken up, ignored the booze-induced headache and unpacked the silver frame with her favourite photo of Nick. In it, he stood squinting slightly into the sun, with the campo of Siena behind him. With the children to help, she had chosen to put him in pride of place on a side table in the sitting room where they would see him every day.
As she parked, she made a mental note to re-pot last year’s pansies and geraniums that were straggly and half dead by the front door. Letting herself in, she dumped her bag on the hall chair and marched into the long kitchen. This was the one room on which she had splashed the money she’d had left over from buying the house, knowing it would be the heart of the home where the three of them would spend most time together. She’d had the grimy old kitchen units replaced with neat off-white cupboards, oak worktops, a heavy porcelain sink. The chimney-breast had been taken out to make space for the second-hand Aga, something Christie had always lusted after, its blue echoed in the check curtains. In the centre, an island provided an extra work area, with a two-ring gas hob for emergencies.
At the opposite end of the room a battered old sofa sat under an old school clock, but it was the long oak refectory table she had bought at auction that dominated. This was where everything and anything got done, be it eating, drinking, homework, painting, making things, chatting or good old family arguing. The windows and french windows on the long wall opposite the Aga gave onto the well-stocked if increasingly disordered garden. Whenever she came into the kitchen, looked at the kids’ pictures framed on the walls, heard the thrum of the Aga and the hum of the large fridge (second-hand again), Christie always experienced a frisson of pleasure. This was home, and Nick would have loved it.